Thursday, October 24, 2024

Multiple panel presentation

 


research #1 blog example artist

research #2

research #3



quick challenge inspirations 

sketch #1

sketch #2

I am thinking about transparency, obscurity, vertical orientations, and domestic spaces for my multiple-panel piece. Dreamlike and foggy spaces populated by household items will be the focus of this work. 

sketch #3

Alternatively, I am considering a work relating to my body. Visually inspired by Kiki Smith, I would layer sheer fabric and charcoal or pen drawings on cotton to obscure and reveal the body.  













Wednesday, October 2, 2024

spacial tape drawing


sketch of a chair
alternate angle
alternate angle
artist with work for size reference 
artist with the work 
detail

harness and shadows 
alternate angle
artist with the work for scale
detail of shadows
detail of shadows 













Monday, September 9, 2024

ephemeral marks in the landscape

 

pine wolf 
pine needles and pine cone fragments 
approx. 2' x 3'
detail
detail

rain/ground
used coffee grounds
approx. 2' x 2'
alternate angle
detail
detail

domestication 
assorted rocks 
approx. 4' long
detail
detail
detail
alternate angle






























Sunday, April 28, 2024

Saturday, April 27, 2024

personal project

 

Paisley, FL
fabric, relief printing ink, embroidery thread, black tea
33" x 29"
detail
detail 
fabric dyed with black tea
stitching details
printing the tail

My work entitled Paisley, FL is a constructed fictional artifact from a real place that has been special to my family for generations. I wanted to make something that would look right at home in the run-down 1970s fishing cabin on the lake where my family goes fishing. The cabin is practically abandoned but still full of vintage furniture and a hand pump sink. It has turquoise floor-to-ceiling paint coated in years of grime. The kitchen counter is covered in fish hooks and lures. My focus for Paisley, FL was to replicate the contrast of lovely and grimy that makes the cabin so charming. To achieve this, I used the tail of a largemouth bass to make the dark inky imprints on delicate curtain fragments. I attached them onto tea-dyed cotton that I embroidered with an intuitive pattern of flowers and abstract stitching. Dying the fabric aged the new material to something archaic. Through Paisley, FL, I explore the relationship between lasting beauty and inevitable decay. 









Multiple panel presentation

  Robert Rauschenberg research #1 blog example artist Kiki Smith  research #2 Ana Vieira research #3 quick challenge inspirations  sketch #1...